69 ‰ª–{Œõ”Ž ì•i}ŠÓ
OKAMOTO Mitshiro 69 works <1990-2016>

‰ª–{Œõ”Ž‚Ì69ì•i‚Ì}ŠÓB1990”N‚©‚ç26”NŠÔi2016”Nj‚ɧ삵‚½2000“_ˆÈã‚Ìì•i‚©‚ç69“_‚ðŒµ‘IB

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interview ARTLOGUE@2018”N7ŒŽ23“ú@—é–Ø‘å•ã‚³‚ñuƒ‹ƒCEƒ”ƒBƒgƒ“‚â“ú´H•i‚©‚ç‚̈³—݂͂̂Ȃ炸AŽEŠQ—\A’Ê•ñ‚É‚à‹ü‚¹‚¸•\Œ»‚ð‚‚¯‚éƒA[ƒeƒBƒXƒg ‰ª–{Œõ”Ž b •\Œ»‚Ì•sŽ©—RŽž‘ã 01v
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2024, Reiwa 6
review ‹ž“sV•·@2023”N2ŒŽ11“ú@‚“ˆŽœ‚³‚ñ@“W•]—“@Printing‡U
2023, Reiwa 5
review ‹ž“sV•·@2023”N12ŒŽ23“ú ‘ò“c”ûŽq‚³‚ñuƒ~ƒjƒ}ƒ‹”üpv“W•]
web news/ reort “Œ‹žV•· 2023”N12ŒŽ10“ú ‹{”¨÷‚³‚ñuˆ¤‚Æ•½˜avŠë‚¤‚¢Û’¥
mook •Û‘¶”Å ‹ž“sƒA[ƒg•ƒJƒ‹ƒ`ƒƒ[ˆÄ“à@LMAGA MOOKo”Å@2023”N10ŒŽ
web news ã_ƒ^ƒCƒK[ƒXƒtƒ@ƒ“•KŒ©‚©cƒ[ƒv2000ƒ[ƒgƒ‹•ª‚Åì‚Á‚½‹‘å‚Èuƒgƒ‰v“oê TBS NEWS DIG 2023”N9ŒŽ21“ú
news ’©“úV•·(’¹Žæ)@2023”N9ŒŽ15“ú@uƒgƒ‰ƒ[ƒv@‹«ŠEƒA[ƒgv
report ’©“úV•·@2023”N9ŒŽ15“ú@‰”•M@iƒtƒBƒMƒ…ƒAƒ~ƒ…[ƒWƒƒƒ€‚ł̃gƒ‰ƒ[ƒv‚ɂ‚¢‚Äj
report “ú–{ŠCV•·@2023”N9ŒŽ8“ú@u‹‘å‚ȌՓªIIv
catalog Memories of STREET GALLERY 1992-2020 2023
book u•sŽ©—R‚ȎЉï‚ÅŽ©—R‚ɶ‚«‚évƒEƒXƒrEƒTƒR :@wu•\Œ»v‚ÆŽ©—Rx@ˆî‰ê”É”ü@2023”N8ŒŽ Œõ•¶ŽÐV‘
online/ondemand u‹ž“s‚ð‚½‚¸‚Ë‚é Œ»‘ã”üpƒMƒƒƒ‰ƒŠ[•Òv åYpŠwŽÉ 2023 ”N‚WŒŽ
book ‹â‰Í‚ÌŠU‚©‚çGood Bye …‘°ŠÙŒ€ê 2023@


2022, Reiwa 4
review ‹ž“sV•· 2022”N12ŒŽ24“ú ŽO‘º’qÆ‚³‚ñu–D‚¢‡‚킹‚év“W•]
book ’†•””üp‰‹N@•—”}ŽÐ@2022”N
review –kŠC“¹V•·@2022”N4ŒŽ30“ú@‘º“c^u÷‚ðŒ©‚é‰ïv“W•]
magazine ‚ ‚¢‚¾ 260† (2022”N3ŒŽ20“ú)@ˆî‰ê”É”üu‘Ò‚Á‚Ä‚¢‚邤‚¿‚É—ˆ‚Ä‚µ‚Ü‚Á‚½“ДN‚Ì‚½‚ß‚Év
magazine ƒA[ƒgƒRƒŒƒNƒ^[ƒY@No.157@2022”N4ŒŽ† Œ€–òƒA[ƒg
web magazine DRIVE THRU Vol.11 CARt
magazine ”üpŽè’Ÿ 2022”N4ŒŽ†P125 ƒAƒoƒ“ƒMƒƒƒ‹ƒh‚ÌŒn•ˆ‚Éuƒoƒbƒ^‚à‚ñv‰æ‘œ@”üpo”ÅŽÐ@
‚‚ook u•\Œ»‚Ì•sŽ©—R“W‚©‚ñ‚³‚¢v‚Ì•ñ‘@2022”N@ƒnƒ“ƒ}ƒEƒ€o”Å
book Japan in the Heisei Era (1989-2019), Routledge
<u•\Œ»‚Ì•sŽ©—RE‹ž“s“W 2022v‚ÌŠÖ˜A•ñ“¹>
newspaper ‹ž“sV•·@ƒo•iŽÒ‚Æ‚µ‚ăRƒƒ“ƒg„@2022”N8ŒŽ8“ú
brog note ‘ò“c”ûŽq 2022”N8ŒŽ7“ú u•\Œ»‚Ì•sŽ©—R“Wv‹ž“sBƒoƒŠƒP[ƒh‰z‚¦‚Ä“W——‰ï‚És‚Á‚½‚Ì‚ÍA‚³‚·‚ª‚Él¶‰dd
TV news and WEB ABCƒjƒ…[ƒX 2022”N8ŒŽ7“ú ‹ž“s‚Åu•\Œ»‚Ì•sŽ©—R“Wv@Œx‰ú‘Ô¨‚Ì’†AŠ®‘S—\–ñ§‚ÅŠJÃ
+ YAHOO! ƒjƒ…[ƒX 2022”N8ŒŽ7“ú
TV news and WEB ƒJƒ“ƒeƒŒ •ñ“¹ƒ‰ƒ“ƒi[@2022”N8ŒŽ7“ú@u‹ž“s‚Åu•\Œ»‚Ì•sŽ©—R“Wv‰ïê”ñŒö•\‚ÅŠJÃv
news/review YAHOO! ƒjƒ…[ƒX 2022”N8ŒŽ8“ú ŽÂ“c”Ž”Vu•\Œ»‚Ì•sŽ©—R“WE‹ž“svŠJÃIŠXéR‹c‚Ì‹Ù”—‚Æ“à•”‚ÌÃæA‚»‚µ‚Äu•\Œ»‚ÌŽ©—Rv‚ð‚ß‚®‚é‘å‚«‚ȈӋ`
news/review YAHOO! ƒjƒ…[ƒX 2022”N8ŒŽ12“ú ŽÂ“c”Ž”Vu•\Œ»‚Ì•sŽ©—R“WE‹ž“sv‚Åì•i‚Í‚Ç‚¤ŒÄ‰ž‚µ‰½‚ðŒê‚è‚©‚¯‚½‚Ì‚©[“WŽ¦\¬‚µ‚½’‡–ì‘׶‚³‚ñ‚É•·‚¢‚½
report / news TŠ§‹à—j“ú 2022”N8ŒŽ26“ú† ˆäàVG–¾uêŠO‘›‘RA¶Šˆ“¹˜H‚Ì••½‚àv
magazine ‘n 2022”N10ŒŽ† ŽÂ“c”Ž”Vwu•\Œ»‚Ì•sŽ©—R“WvU–hx
review artscape 2022”N9ŒŽ15“ú ‚“ˆŽœ‚³‚ñu•\Œ»‚Ì•sŽ©—R“WE‹ž“s@KYOTO 2022v


2021, Reiwa 3
catalog –¥–Ê‚ÌXƒA[ƒgƒEƒH[ƒN 2020 ì•iW@2021”N11ŒŽ”­s
leaflet u…‘°ŠÙŒ€ê‚ÌŒü‚±‚¤‚ª‚ív“ŽR”b‚Ù‚© eitoeiko@
magazine TH 87†@2021”N7ŒŽ@wˆÏk‚µ‚½“ú–{ŽÐ‰ï‚ðEEu”üpƒ”ƒ@ƒMƒivx“W@ƒPƒƒbƒs[‘O“c@ƒAƒgƒŠƒGƒT[ƒh
dvd u•\Œ»‹K§‚ƃ†[ƒ‚ƒAv ‰ª–{Œõ”Ž/ƒ^ƒmƒ^ƒCƒK@‚¹‚ñ‚¾‚¢ƒƒfƒBƒAƒe[ƒN@2021
book uŒ»‘ã”üp‚Ìê‚Æ‚µ‚Ẵ|[ƒ‰ƒ“ƒhv‰Á{‰®–¾Žq@2021”N@‘nŒ³ŽÐ pdf
review ƒMƒƒƒ‰ƒŠ[2021 Vol.5 ŽsŒ´®Žmu”ü‚ÌŽUô#5vƒMƒƒƒ‰ƒŠ[ƒXƒe[ƒVƒ‡ƒ“ pdf
review artscape 2021”N5ŒŽ15“ú ‚“ˆŽœ‚³‚ñu”üpƒ”ƒ@ƒMƒiv“W•]
review TOCANA 2021”N5ŒŽ6“ú ƒPƒƒbƒs[‘O“c‚³‚ñ@ŠJÃ’†‚Ìu”üpƒ”ƒ@ƒMƒiv“W‚ªƒ„ƒo‚¢I
review ‹ž“sV•·@2021”N5ŒŽ1“ú@‚“ˆŽœ‚³‚ñ u”üpƒ”ƒ@ƒMƒiv“W•]
revew artscape 2021”N4ŒŽ1“ú ‘º“c^‚³‚ñ@ŒÂ“W@uƒIƒLƒiƒEƒXƒe[ƒLvƒŒƒrƒ…[
revew ‰«“êƒ^ƒCƒ€ƒX 2021”N3ŒŽ16“ú ‹Œ´“c—y‚³‚ñ@u‰«“ê‚𓥂ÝçW‚é‚Ì‚Í’Nv ‰ª–{Œõ”Ž“W——‰ïuƒIƒLƒiƒEƒXƒe[ƒLvƒŒƒrƒ…[
interview ƒˆƒRƒnƒ}ƒA[ƒgƒiƒr@2021”N3ŒŽ10“ú
‚æ‚Þƒiƒr‚¨ŽdŽ–ƒCƒ“ƒ^ƒrƒ…[vol.8ƒMƒƒƒ‰ƒŠƒXƒgX“c ÊŽq‚³‚ñ
revew ”üpŽè’Ÿweb 2021”N2ŒŽ25“ú ŽR–{_‹M‚³‚ñ
u‰«“ê‚Ì–â‘èv‚ɃA[ƒg‚Í‚Ç‚¤ƒAƒvƒ[ƒ`‚Å‚«‚é‚©Bv‰ª–{Œõ”Ž“WuƒIƒLƒiƒEƒXƒe[ƒLvƒŒƒrƒ…[
revew HUB‰«“ê 2021”N2ŒŽ18“ú ‹{Œ´ƒVJƒFƒtƒŠ[‚¢‚¿‚낤‚³‚ñ
ƒA[ƒg‚Í•ª’f‚ðæ‚è‰z‚¦‚é‚© ‰ª–{Œõ”Ž“WuƒIƒLƒiƒEƒXƒe[ƒLvƒŒƒrƒ…[
book ‰ª–{Œõ”Ž@ƒIƒLƒiƒƒXƒe[ƒL@‹L˜^W@eitoeiko 2021


2020, Reiwa 2
book ReFreedom_AichiŠˆ“®‹L˜^W-•\Œ»‚ÌŽ©—R‚ƃA[ƒeƒBƒXƒg@ReFreedom_Aichii•Òj 2020
text Peace art column@2020”N9ŒŽ2“ú@–LŒ©ŽR˜a”ü‚³‚ñ@ŒR—p‹@‚ª~‚Á‚Ä‚­‚éuŠy‰€v
text uí—F‚Æ‚µ‚Äv˜hŒ©–›ŒÂ“WuVE¹‚È‚éƒtƒ@ƒeƒBƒAvƒJƒ^ƒƒO, KUNST ARZT@2020
book in USA Media Culture in Transnational Asia, Rutgers University Press, 2020
news ‹¤“¯’ÊM@2020”N‚WŒŽ‚Q“ú[@‰Á“¡x‚³‚ñwu–â‘èìv“WŽ¦‚Ƀn[ƒhƒ‹@R‹c‹°‚ꎖ‘OR¸‚àx@
text ŒŽŠ§ƒMƒƒƒ‰ƒŠ[@2020”N7ŒŽ†@’ºŽg‰ÍŒ´ƒ‚Ì‚¢‚¢‚½‚¢•ú‘è‚V‚Éu•\Œ»‚ÌŽ©—R‚ÌŠ÷‚Qvì•i‰æ‘œ
review ”üpŽè’Ÿ@2020”N8ŒŽ†@´…õ‚³‚ñ@u“V——”üpv “WƒŒƒrƒ…[ ”üpo”ÅŽÐ@
review Tokyo Art Now 2020/06/21@‰Ô–[‘¾ˆê‚³‚ñ‚É‚æ‚éu“V——”üpvЉî
review artscape 2020”N6ŒŽ15“ú ‚“ˆŽœ‚³‚ñ‚É‚æ‚éu“V——”üpv“WƒŒƒrƒ…[
review ’†“úV•·{“Œ‹žV•·@@2020”N6ŒŽ11“ú@’JŒû‘å‰Í‚³‚ñ@u“Vc§‚ðƒA[ƒg‚Ŗ₤v@
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newspaper ’©“úV•·@2020”N5ŒŽ28“ú@“c’†‚ï‚ê“Þ‚³‚ñu“Vc§ƒe[ƒ}‚ɃOƒ‹[ƒv“Wv
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magazine TŠ§‹à—j“ú 2020”N5ŒŽ22“ú†u“V——”üpv“WЉî
magazine Meets Regional (2020”N6/7ŒŽ†)@’|“àŒú‚³‚ñu“V——”üpvЉî
magazine ŒŽŠ§ƒMƒƒƒ‰ƒŠ[2020”N6ŒŽ†uŽO–§‰ñ”ð“WE‹x˜L’†v‚ÌSˆÓ‹C
newspaper _“ÞìV•·@2020”N4ŒŽ30“úuƒA[ƒgŠÓÜA‘‹‰z‚µ‚Év
magazine TŠ§•¶t@4ŒŽ16“ú†@@u÷‚ðŒ©‚é‰ï ¡”N‚àŠJÃv@•¶åYtH
catalog u÷‚ðŒ©‚é‰ïv–Ú˜^@w‰Ô‚Í‚Ç‚¿‚ç‚ðŒ©‚Ä‚¢‚é‚©xgnck eitoeiko@2020”N6ŒŽ
news ”üpŽè’Ÿ@2020”N@u÷‚ðŒ©‚é‰ïv
catalog ƒZƒŒƒuƒŒ[ƒVƒ‡ƒ“-“ú–{ƒ|[ƒ‰ƒ“ƒhŒ»‘ã”üp“W-@‹ž“sŽs—§Œ|p‘åŠw@2020
catalog ‚ ‚¢‚¿ƒgƒŠƒGƒ“ƒi[ƒŒ2019 ƒJƒ^ƒƒO@u‚ÌŽž‘ãv@¶Šˆ‚Ì—FŽÐ@2020
magazine / interview ‹àˆäŒå‚³‚ñ ƒtƒCƒiƒ€EƒAƒ“ƒvƒ‰ƒOƒh@11†@ƒCƒ“ƒ^ƒrƒ…[u‚¨‘›‚ª‚¹ƒA[ƒg‚Ì‹«ŠEüv@u’kŽÐ@2020@SPRING SUMMER
magazine / interview ‘ò“c”ûŽq‚³‚ñ ”üpŽè’Ÿ ƒCƒ“ƒ^ƒrƒ…[u‹K§‚Æ‚Ç‚¤‚‚«‡‚Á‚Ä‚¢‚­‚©Hv ”üpo”ÅŽÐ@2020”N4ŒŽ†
catalog u—ˆ‚é‚ׂ«¢ŠE@‰ÈŠw‹ZpAAI‚ÆlŠÔ«v ÂŽRŠw‰@‘åŠw@2020”N


2019 Heisei 31 / Reiwa 1
note –¯ŠÔŠé‹Æ‚É‚æ‚éV‚½‚ÈŒŸ‰{@ƒ‹ƒCEƒ”ƒBƒgƒ“‚ªˆø‚«‹N‚±‚µ‚½ì•i“P‹ŽŽ–Œ
book w‚ ‚¢‚¿ƒgƒŠƒGƒ“ƒi[ƒŒu“WŽ¦’†Ž~vŽ–ŒxŠâ”g‘“X@2019”N
book ŽR–{_‹M’˜uŒ»‘ã”üpŽjv’†ŒöV‘@2019”N
talk u—ˆ‚é‚ÖJ‚«¢ŠEF‰ÈŠw‹ZpAAI‚ÆlŠÔ«vƒg[ƒNƒCƒxƒ“ƒg@ÂŽRŠw‰@‘åŠw@2019”N11ŒŽ15“ú
news ”üpŽè’Ÿ@2019”N11ŒŽ9“ú@AI‚Æ‘n‘¢A‚»‚µ‚ĉäX‚Í‚¢‚©‚ɶ‚«‚é‚©B
text ’†“úV•·@2019”N10ŒŽ18“ú{25“ú@‰ª–{Œõ”Ž@u’†•””üp‰‹NF•sŽ©—R“W‚Éo•i‚µ‚Äv
radio RKBƒ‰ƒWƒIu‚æ‚È‚¨‚µ“°v“d˜bƒCƒ“ƒ^ƒrƒ…[@2019”N10ŒŽ16“ú
review OutermostNAGOYA 2019”N9ŒŽ10“ú ˆä㸎¡‚³‚ñu‰ª–{Œõ”Ž“W@ƒgƒ‰ƒ[ƒvv
talk ƒA[ƒeƒBƒXƒgƒg[ƒN@N-MARK 5G (‰©‹à4422 BLDG5ŠK)@2019”N9ŒŽ7“úi“yj17:00-18:00
text / interview –ˆ“úV•·@2019”N9ŒŽ1“ú@“ì—zŽq‚³‚ñou‰B‚³‚ê‚Ä‚¢‚é‚à‚Ìv•\Œ»p
news/report/review y‚ ‚¢‚¿ƒgƒŠƒGƒ“ƒi[ƒŒu•\Œ»‚Ì•sŽ©—Rv“W’†Ž~–â‘è•ñ“¹ziˆê•”j
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TŠ§‹à—j“ú 2019”N8ŒŽ23“ú† ƒAƒ‰ƒCƒqƒƒ†ƒL@ŽãŒöŠJIu’†Ž~v‚³‚¹‚ç‚ꂽu•\Œ»‚Ì•sŽ©—R“WE‚»‚ÌŒãv
‚µ‚ñ‚Ô‚ñÔŠø@2019”N8ŒŽ14“ú@ƒAƒ‰ƒCƒqƒƒ†ƒLuŽ©—R’D‚¤ŽÐ‰ï@”’“ú‚É‚³‚ç‚·v
”üpŽè’Ÿ@2019”N8ŒŽ13“ú@“WŽ¦‚ÌÄŠJ‚ÉŒü‚¯‚½‹¦‹c‚ðBu•\Œ»‚Ì•sŽ©—R“WE‚»‚ÌŒãvŽÀsˆÏˆõ‰ï‚ª\‚µ“ü‚ê
review GS24.pl July 2019 Agata Maksymiuk‚É‚æ‚éuMono no awarev ƒŒƒrƒ…[
review ‹ž“sV•·@2019”N6ŒŽ1“ú@‰Í‘º—º‚³‚ñuˆÚ‚낤‹L‰¯‚âEEEv‚É‚Äuƒgƒ‰ƒ[ƒvv‰æ‘œŒfÚ
review FASHION HEADLINE / ’©“úV•·DIGITAL&W 2019”N5ŒŽ25“ú –ì“c’BÆ‚³‚ñ@
magazine ŒŽŠ§ƒA[ƒgEƒRƒŒƒNƒ^[ƒY@2019”N3ŒŽ†
catalog –¥–Ê‚ÌXƒA[ƒgƒEƒH[ƒN 2017 ì•iW@2019”N1ŒŽ”­s
text u–¥–Ê‚Ì’n—ìv•½“c„Žu@i–¥–Ê‚ÌXƒA[ƒgƒEƒH[ƒN 2017 ì•iWj


2018, Heisei 30
web uInterview H—FˆêŽi 2000”N‘ãv 2018”N10ŒŽ28“ú@NPO–@lraco
review artscape 2018”N11ŒŽ1“ú† ‘º“c^‚³‚ñ‚É‚æ‚éuUFOv“WƒŒƒrƒ…[
talk uGEISTvƒg[ƒN@@2018”N10ŒŽ26“úi‹àj19:00-20:45@ 1•”F~ŠÖ–{‹ÓÆiTURNAROUNDj 2•”F~H“¡Œ’ŽuiÂXŒ§”üj
news ”üpŽè’Ÿ@2018”N10ŒŽ26“ú@‰ª–{Œõ”ŽuGEISTv
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news ”üpŽè’Ÿ@2018”N9ŒŽ13“ú@‹‘å‚ÈuUFOv‚ª–â‚¢‚©‚¯‚é‚à‚Ì‚Æ‚ÍH
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text ‚ ‚¢‚¾@237 2018”N1ŒŽ20“ú”­s@u•ÄŒRƒe[ƒ}ìA”ñŒöŠJ‚Öv


2017, Heisei 29
text A Pirate's View of World History ˆî‰ê”É”ü•Ò@‘ÛƒVƒ“ƒ|ƒWƒEƒ€50 2016 ‘Û“ú–{•¶‰»Œ¤‹†ƒZƒ“ƒ^[
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interview on web HARBER BUSINESS online 2017”N12ŒŽ3“ú@‹{Œ´ƒWƒFƒtƒŠ[‚³‚ñ@u‘–¯“IƒAƒjƒ‚̃pƒƒfƒBuƒhƒU‚¦‚à‚ñ“Wv‚Ɖ«“êŠî’n–â‘è
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news ’©“úV•· 2017”N12ŒŽ2“ú ŠÛŽR‚Ђ©‚肳‚ñ@•ÄŒR‹@’Ä—Žƒ‚ƒ`[ƒt‚̃A[ƒgì•iAꊈڂµŒöŠJ‚Ö{YAHOO!ƒjƒ…[ƒX
news ’©“úV•·@2017”N12ŒŽ2“ú ŠÛŽR‚Ђ©‚肳‚ñ@u—Ž•ÄvƒA[ƒgAˆÚ“®‚µŒöŠJ‚Ö
news ‰«“êƒ^ƒCƒ€ƒX@2017”N12ŒŽ2“ú@u•ÄŒRƒe[ƒ}ì•i@“WŽ¦‚Öv
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web info BLOUIN ART INFO Okamoto's eThe Dozaemon Exhibition Tokyo 2017' At Eitoeiko Gallery, Tokyo
magazine SAVVY1ŒŽ†i2017”N11ŒŽ22“új uƒEƒH[ƒzƒ‹”üpv“WЉî
magazine “‡‚ÖB@ŠC•—ŽÉ@2017”N10ŒŽ†@iƒCƒ`ƒnƒiƒŠƒA[ƒgƒvƒƒWƒFƒNƒgj
my text FISHBONE SPECIAL ISSUE 2017 …‘°ŠÙŒ€ê 2017”N9ŒŽ
catalog LOVE LOVE SHOW THE SECOND ÂXŒ§—§”üpŠÙ@2017”N”­s
talk ivent •\Œ»‹K§‚ƃ†[ƒ‚ƒA@å‘äåYpŽÉ/ creek ƒAƒgƒŠƒG 2017”N9ŒŽ8“ú
report web D!CE 2017”N9ŒŽ2“ú@‰¡•lŽõ’¬‚Ç^‚ñ’†‚Ì‹ó’n‚É”p‰€‚ªoŒ»I
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2016, Heisei 28
review }‘V•·@2016”N12ŒŽ17“ú@ˆî‰ê”É”ü‚³‚ñ@uƒpƒNƒŠƒGƒCƒ^[ˆÙ•·v@
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review TH No.68 2016”N10ŒŽ@ƒPƒƒbƒs[‘O“c‚³‚ñ‚É‚æ‚éw69xŒÂ“W•ì•i}ŠÓ
leaflet MŠy‚Ü‚¿‚È‚©Œ|pÕ 2016”N10ŒŽ
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NEWS ŽYŒoWEST@2016”N9ŒŽ14“ú@‚¦‚ÁIH ˜ZbŽR‚ª‚܂邲‚ÆŒ|p‹óŠÔ‚Éu˜Zbƒ~[ƒcEƒA[ƒgvŠJ–‹
magazine cover design TŠ§‹à—j“ú2016”N7ŒŽ15“ú(1096)†•\Ž†ƒCƒ[ƒW
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report “Ϭ–q–¯•ñ@2016”N4ŒŽ27“ú@ŽR“cD‚³‚ñ@u‰ª–{‚³‚ñì•i“WŽ¦ŠJŽnv
report “Ϭ–q–¯•ñ@2016”N4ŒŽ27“ú@ŽR“cD‚³‚ñ@uƒA[ƒg‚Íl‚¦•û•Ï‚¦‚év
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English Version


2015, Heisei 27
report bitecho 2015”N12ŒŽ@¬—ѹ—F—¢‚³‚ñu‹ž“s‚Ì‚¨‚à‚µ‚댻‘ãƒA[ƒg‹’“_v
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review artscape 2015”N10ŒŽ01“ú@H“¡Œ’Žu‚³‚ñu‰»‚¯•¨“Wv“W•]
catalog u‰»‚¯•¨v@ÂŒ¶ŽÉ@2015”N7ŒŽ
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catalog uLIFE to LIFEv ‚¨‚¨‚ª‚«ƒrƒGƒ“ƒi[ƒŒ2013 2015”N”­s
catalog uƒfƒBƒYƒj[”üpv@KUNST ARZT 2015”N
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text uƒpƒ‰l no.005v‘å‹v•Û”ü‹I‚³‚ñ‚̘AÚ‹LŽ–‚Ƀoƒbƒ^‚à‚ñЉî@2015”N5ŒŽ
catalog utimelake-ŽžŠÔ‚ÌŒÎv@timelakeŽÀsˆÏˆõ‰ï@2015”N3ŒŽ
text ¶”ç‚𔂪‚ꂽ<ƒoƒbƒ^ƒ‚ƒ“>-à€ˆó‚Æ’E”ç‚ ‚é‚¢‚̓Oƒ[ƒoƒ‹Žž‘ã‚̤•W‚Æ•¡»Œ 
ˆî‰ê”É”ü‚³‚ñ@w‚ ‚¢‚¾x218† (2015”N2ŒŽ20“ú”­s)
lecture uŒÕ“ꕶ‚Ì–`Œ¯[ƒRƒs[‚̃Rƒs[‚͉½‚ð¶‚Þ‚©Hv@ƒpƒŠ“ú–{•¶‰»‰ïŠÙ@2015”N1ŒŽ23“ú
catalog u‚¤‚‚íiŠíj‚Æ‚¤‚‚µ(ŽÊ)v@ƒpƒŠ“ú–{•¶‰»‰ïŠÙ/‘Û“ú–{•¶‰»Œ¤‹†Š@2015”N1ŒŽ
Utsuwa et utsushi, Maison de la culture du Japon a Paris , FR
review uartscapev2015”N1ŒŽ15“ú†•ŸZ—õ‚³‚ñ‚É‚æ‚éuƒ}ƒbƒNƒƒ|ƒbƒvv“W•]
review u”üpŽè’Ÿv2015”N1ŒŽ†‹ß“¡—º‰î‚³‚ñ‚É‚æ‚éuƒ}ƒbƒNƒƒ|ƒbƒvv“W•]
review/report ¼àV”üŽq‚³‚ñ‚É‚æ‚éu”ü­—‚ɉ½‚ð‹‚ß‚Ä‚«‚½‚Ì‚©v@—´¶@2015”N1ŒŽ†


2014, Heisei 26
catalog ƒ‚ƒmƒOƒ‰ƒ€”üp / Monogram Art , KUNST ARZT
review uartscapev2014”N12ŒŽ15“ú†‘º“c^‚³‚ñ‚É‚æ‚éuƒ}ƒbƒNƒƒ|ƒbƒvv“W•]
report Think of Fashion“Á•Ê•Ò ‹e“c‘ô–炳‚ñ‚É‚æ‚éu”ü­—~ƒtƒ@ƒbƒVƒ‡ƒ“u”ü­—‚Ì”üpŽjv“W‚©‚çl‚¦‚év
workshop u‚Ü‚ñ‚°‹¾vƒ[ƒNƒVƒ‡ƒbƒv@eitoeiko 2014”N10ŒŽ25“ú
catalog u”ü­—‚Ì”üpŽjv@ÂŒ¶ŽÉ@2014”N7ŒŽ
lecture ideas on the move#6u—\’è‚Í–¢’èv‹ž“sŒ|pƒZƒ“ƒ^[E˜aŽº–¾—Ï@2014”N7ŒŽ25“ú
text @uŽÐ‰ï‚ɃA[ƒg‚ȃNƒXƒŠ‚ðvŽ·•M@ƒs[ƒvƒ‹@u‘åã•ÛŒ¯ˆãŽGŽv@2014”N7ŒŽ†
lecture u‚±‚Ƃ΂̔üpv ‹ž“sµ‰ãŒ|p‘åŠw 2014”N7ŒŽ5“ú 13:00-15:00
magazinne ”üp‚Ì‘‹2014”N‚VŒŽ†H“¡Œ’Žu‚³‚ñ‚É‚æ‚éu¡ŒŽ‚̈ê•iv‚ÉuLIFElinev‚ÌЉî
report book HAPS Research Map 2013-2014
book ’†‘º˜aŒb‚³‚ñ‚Ì’Ps–{udress after dressv•½–}ŽÐ 2014”NuLVƒoƒbƒ^‚à‚ñv‚ÌÍ
newspaper/international The Art Newspaper No.255 2014”N3ŒŽ†‚É‚Äuƒ‚ƒmƒOƒ‰ƒ€”üpv“W‹LŽ–B
newspaper ‹ž“sƒŠƒrƒ“ƒOV•·@2014”N3ŒŽ29“ú†uƒ‚ƒmƒOƒ‰ƒ€”üpv“WЉîB
text uƒ‚ƒmƒOƒ‰ƒ€”üpvŽ·•M@ŒŽŠ§‚Ý‚ñ‚Ï‚­2014”N3ŒŽ†@‘—§–¯‘­Šw”Ž•¨ŠÙ
magazinne ’|“àŒú‚³‚ñ‚É‚æ‚éƒCƒ“ƒ^ƒrƒ…[@Meets Regional 2014”N4ŒŽ†@‹žã_ƒGƒ‹ƒ}ƒKƒWƒ“ŽÐ
book ˆî‰ê”É”üŽ‚É‚æ‚é uŠG‰æ‚Ì—ÕŠE\‹ß‘ã“ŒƒAƒWƒA”üpŽj‚Ìž~ž‡‚Æ–½‰^v –¼ŒÃ‰®‘åŠwo”ʼnï@2014


2013, Heisei 25
magazinne K(ƒmƒ‹ƒEƒF[‚̃Jƒ‹ƒ`ƒƒ[ƒ}ƒKƒWƒ“)@SEPT 2013
lecture u21¢‹I10”N‘ã“ú–{•¶‰»‚Ì‹O“¹C³v‘Û“ú–{•¶‰»Œ¤‹†ƒZƒ“ƒ^[ 2013
catalog u•Ÿ‰ªŒ»‘ã”üpƒNƒƒjƒNƒ‹1970-2000v“WƒJƒ^ƒƒO@•Ÿ‰ªŽs”üpŠÙ{•Ÿ‰ªŒ§—§”üpŠÙ
catalog u‘Θb‚Ì’ëv“WƒJƒ^ƒƒO@NO-MA 2013


2012, Heisei 24
text uƒoƒbƒ^ƒ‚ƒ“v‚ÌÄ—ˆ, Battamon Returns –|–ó‚Ì­Ž¡Šw‚Æ‘S‹…‰»‚Ö‚Ì’ïR ˆî‰ê”É”ü‚³‚ñ@w‚ ‚¢‚¾x198† (2012”N12ŒŽ20“ú”­s)
text IMAI NoriouMasked Portraitv Marianne Boesky Gallery, NY, USA
lecture ucrossing boundariesvKara-SA‹ž“s‘åŠw (‹ž“s)
text ŽRŒû—mŽOŽ‚ÌŠwŒ|ˆõƒŒƒ|[ƒgu•Ÿ‰ªŒ»‘ã”üpƒNƒƒjƒNƒ‹1970-2000vartscape@2012”N11ŒŽ15“ú†
text ^‰º“N‚³‚ñ@Artist's work“W ‹ž“s–¯•ñ@ 2012.6.24
fm uWind up ART KyotovFM79.7‹ž“sŽOðƒ‰ƒWƒIƒJƒtƒF ƒQƒXƒg 2012.6.7
review •ŸZ—õ‚³‚ñ‚É‚æ‚éuƒoƒbƒ^‚à‚ñ‚̃oƒbƒ^‚à‚ñv“W•]@artscape@2012 4 21
leaflet catalog uŽ„‚Ì’p‚¸‚©‚µ‚¢ì•iWv 2012”N4ŒŽ@CAS


2011, Heisei 23
Interview Cool Magazine vol.21 Sep 2011 ƒ_ƒjƒGƒ‰‚³‚ñ‚É‚æ‚éƒCƒ“ƒ^ƒrƒ…[‹LŽ–
text •ŸZ—õ‚³‚ñ‚É‚æ‚郋ƒCEƒ”ƒBƒgƒ“•\ŽQ“¹“X‚Å‚ÌuƒrƒŠ[EƒAƒLƒŒƒIƒXv“W•]@artscape 2011 12 3
seminar ’†”V“‡ƒfƒUƒCƒ“ƒ~ƒ…[ƒWƒAƒ€ de sign de@2011”N10ŒŽ12“úi…jde sign de > …—jƒZƒ~ƒi[
ƒA[ƒg‚ƃfƒUƒCƒ“‚ð‚æ‚è‚æ‚­Šˆ—p‚·‚邽‚ß‚Ì“ü–åuÀ ƒQƒXƒguŽt‚Æ‚µ‚ÄŽQ‰Á
text ‚ ‚¢‚¾185†@¡ˆäj—Y‚³‚ñƒ‹ï‘Ì„[‚»‚ê‚ÍuŽ„‚Ì‘åŠwv‚¾‚Á‚½@2011”N7ŒŽ
text –Ñ—˜‰ÃFŽuŒö‹¤«‚ƃA[ƒgv@ƒJƒ^ƒƒOuƒA[ƒg‚̉ۑèv @ƒg[ƒLƒ‡[ƒƒ“ƒ_[ƒTƒCƒg@2011”N6ŒŽ
book uƒ}ƒlƒLƒ“‚Ì‚·‚×‚Ä ‘±•Ò 1996-2010v•l“c ‹vm—Y‚³‚ñ‚É‚æ‚éuƒ}ƒlƒLƒ“ƒNƒƒjƒJƒ‹v
text ƒMƒƒƒ‰ƒŠ[@2011”N4ŒŽ”­s@ vol.4@u“W——‰ï‚ƃA[ƒeƒBƒXƒg‚Tv
text Œ|p”á•]ŽuƒŠƒAv25†@2011”N2ŒŽ28“ú”­s@˜hŒ©–›‚³‚ñ‚É‚æ‚éuwƒoƒbƒ^‚à‚ñxŽ–Œv
web ƒoƒbƒ^‚à‚ñ“P‹ŽŽ–Œ‚ÉŠÖ‚·‚é‚Ü‚Æ‚ß battamon @ ƒEƒBƒL
text ‚Ü‚·‚Ü‚·ŸŽè‚ÉŠÖ¼ˆâŽY@yƒpƒ`‚à‚ñz@‰Í‡^”ü]‚³‚ñ@’©“úV•·@2011”N1ŒŽ12“ú


2010, Heisei 22
catalog ƒtƒ@ƒbƒVƒ‡ƒ“ãYæ / Fashion KITAN, _ŒËƒtƒ@ƒbƒVƒ‡ƒ“”üpŠÙ / KOBE Fashion Museum
news uŒ|p‚Æ’m“IàŽYŒ ‚ÌŠÖŒW‚Í@ì•i“P‹Ž‚ß‚®‚èƒVƒ“ƒ|v_’J绂³‚ñ@_ŒËV•·@2010”N12ŒŽ30“ú
symposium ŒöŠJƒVƒ“ƒ|ƒWƒEƒ€uŒ»‘ãƒA[ƒg‚Æ’m“IàŽYv2010”N12ŒŽ17“úi‹àj13:00 - 17:00 ‘åãH‹Æ‘åŠw
text y“PŽû‚³‚ꂽuƒoƒbƒ^‚à‚ñvz[Šž^•ä‚³‚ñ@Ž‹Šo‚ÌŒ»ê vol.7@ ‘çŒí‘–[ 2010”N11ŒŽ
news uƒoƒbƒ^‚à‚ñFƒuƒ‰ƒ“ƒh–Í—l“ü‚è”üpì•i„‚è‹c˜_|—ˆŒŽ‘åã‚ÉÄ“oêvŽè’Ë‚³‚₳‚ñAŠÝŒjŽq‚³‚ñ –ˆ“úV•·@2010”N10ŒŽ21“ú@“Œ‹ž’©Š§{–ˆ“újp
English version
text TŠ§‹à—j“ú2010 10.15 ‘æ819† ‚«‚ñ‚悤‚Ô‚ñ‚©@”üp uƒoƒbƒ^‚à‚ñEƒŠƒ^[ƒ“ƒYv ‰ª–{Œõ”Ž
news uƒ”ƒBƒgƒ“ŽÐR‹c‚Å“P‹Ž@uƒoƒbƒ^‚à‚ñvÄ“WŽ¦v@’©“úV•·@2010”N10ŒŽ4“ú@¬ìႳ‚ñ‚É‚æ‚é‹LŽ–ƒp[ƒg2@{asahi.com,
english news in magazine and web ArtAsiaPacific
Issue #70 September/October 2010
'Louis Vuittonfs Discriminating Support for Contemporary Art' by Irina Makarova

report ‰f‰æ”é•ó@2010”N10ŒŽ†@ˆÀ“¡Œ’“ñ‚³‚ñu••ˆóì•iƒNƒƒjƒNƒ‹v‘æ10‰ñuƒoƒbƒ^‚à‚ñv
report ‹Ù‹}ƒŒƒ|[ƒg]–¯ŠÔŠé‹Æ‚É‚æ‚éV‚½‚ÈŒŸ‰{\\ƒ‹ƒCEƒ”ƒBƒgƒ“‚ªˆø‚«‹N‚±‚µ‚½ì•i“P‹ŽŽ–Œ‚̃Œƒ|[ƒg
•ŸZ—õ‚³‚ñ@uŒŽŠ§‚ ‚¢‚¾v173†@2010”N6ŒŽ20“ú†
news

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‹U•¨‚¾‚炯•—Žh”üpuƒoƒbƒ^‚à‚ñv“P‹Ž‘›“®
–ˆ“úV•·@ŠÖ¼”Å@2010”N‚VŒŽ‚W“ú@Žè’Ë‚³‚₳‚ñ‚É‚æ‚é‹LŽ–

review •ŸZ—õ‚³‚ñu•ž‘•’Ê‚¶Ž©•ªÄlv@‹¤“¯’ÊMŽÐ”zMA‹ž“sV•·ŽÐ‚Ù‚©@2010”N7ŒŽ5“ú
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news uƒoƒbƒ^‚à‚ñ‘›“®v@’©“úV•·@2010”N6ŒŽ27“ú@¬ìႳ‚ñ‚É‚æ‚é‹LŽ–@{asahi.com,
english news@@ Artworks plucked froml exhibition by THE ASAHI SHIMBUN in asahi.com
english news Louis Vuitton Locust exhibition exterminated early by Robert Michael Poole
CNN International CNNGO 30 June,2010
@english news@ Louis Vuitton terminates exhibition at Kobe Fashion Museum
FlashArt online.com 5 July,2010
Chinese (Taiwan) News Ž©—RŽž•ñ The Liberty Times@28 June,2010



2009, Heisei 21
catalog In Search of Colors, ¬ˆÀ‘¢Œ`‘åŠwƒƒfƒBƒAƒZƒ“ƒ^[
review Nazia Parveen 'Japanese artist displays work in Blackburn' Lancashire TelegraphiƒCƒMƒŠƒXj2009”N8ŒŽ28“ú†
news BBC about 'Strange world' show in Blackburn Museum
Web-review artinliverpool September16,2009 about Strange world show
web-review ART IT ƒXƒgƒŒƒ“ƒWƒ[ƒ‹ƒh@2009
web-info Complex Magazine 2009


2008, Heisei 20
catalog color as communication, ¬ˆÀ‘¢Œ`‘åŠwƒƒfƒBƒAƒZƒ“ƒ^[
web-review artwall about 'FCV' show 2008
web-news ARTFORUM 2008
web-review ARTdlant about All of This is Melting Away show 2008
web-info Hustler of culture All of This is Melting Away 2008
web-info PING MAG 2008
web-TV info CURRENT 2008
Šˆ“®‹L˜^W u‚Ç‚ñ‚ȉ肪‚Å‚é‚Ì‚©‚ÈH•ƒvƒƒ~ƒXv‚l‚d‚f‚`[‚o‚q‚nA‚Q‚O‚O‚W


2007, Heisei 19
catalog Thermocline of Art - Asian New Wave, ZKM
catalog ”üp‚̃{ƒP / Bijyutsu no BOKE, CASO
review u”üp‚Æ푈vŽR–{~•v‚³‚ñ,2007


2006, Heisei 18
˜AÚ / Serialization TŠ§‹à—j“ú ˜AÚuàÛàè”j‰óv589†i2006”N1ŒŽ13“új‚©‚ç660†i2007”N6ŒŽ29“új‚܂ŇŒv72‰ñ˜AÚ
review u“ú–{“Ž¡Žž‘ã‚Ì_ŽÐ‚ÌÄŒ»ƒvƒƒWƒFƒNƒgvŠâØ‚Ý‚¨A”üpŽè’Ÿ@2006”N2ŒŽ ”üpo”ÅŽÐ
catalog “ꕶ‚ÆŒ»‘ã Art and Object, ÂXŒ§—§”üpŠÙ / AOMORI Museum of Art
catalog Kio-A-Thau Artist-in-Residence 2005, Sugar Field Factory
catalog Well Done, Taipei MOCA


2005, Heisei 17
review ã]“cíŽÀu”–‚¢”ç‚̉º‚ɉB‚ê‚Ä‚¢‚錻ŽÀv—®‹…V•ñi2005”N4ŒŽ13“új
catalog views from abroad, Stadtgalerie Kiel, Germany
catalog 5 Austellung, Kunstleratelier Schleswig-Holstein-Haus Rostock
my text •”—Ž‰ð•ú u—Ž•Ä‚Ì‚¨‚»‚ê‚ ‚èv@2005”N9ŒŽ†


2004, Heisei 16
catalog ƒRƒs[‚ÌŽž‘ã / The Copy Age, Ž ‰êŒ§—§‹ß‘ã”üpŠÙ / The Museum Of Modern Art,Shiga
catalog Immaterial schmuck, Schloss Plueschow
review –Ñ—˜‹`Žk@i‚¼Žs—ðŽjŽ‘—¿ŠÙj@artscape 2004”N‚VŒŽ‚P‚T“ú
review ¼Œ´ˆê¬@Žl‘V•·i2004”N6ŒŽ10“új
review u‘‹«‚ð‰z‚¦‚ÄL‚ª‚éAƒVƒjƒJƒ‹‚ц[ƒ‚ƒ‰ƒX‚È¢ŠEv–쮎qAVOGUE Nippon@q2004”N9ŒŽr“úŒoƒRƒ“ƒeƒiƒXƒg
text u¡T‚̂ЂÆvŽR’†“oŽuŽq@ŽÐ‰ïV•ñ@q2004”N7ŒŽ16“úrŽÐ–¯“}
interview uKANSAI ARTIST FILEv’†˜eŒ’Ž™@KPO artnetwork SUMMER 2004 q2004”N4ŒŽrKPOƒLƒŠƒ“ƒvƒ‰ƒU‘åã
text u\”NƒA[ƒeƒBƒXƒg‚É•·‚­¡”N‚Ì•ø•‰vŒŽŠ§ƒMƒƒƒ‰ƒŠ[@q2004”N1ŒŽr


2003, Heisei 15
˜AÚ / Serialization ŒŽŠ§‚ ‚ꂱ‚ê uƒA[ƒgƒhƒ‰ƒSƒ“ƒXƒNƒŠƒ…[v2003”N4ŒŽ†-10ŒŽ†
review ŽRè—zŽqi 2003”N7ŒŽ12“ú j@@’·–ìŽs–¯V•·
review ‘¾“cŠ_ŽÀ@@‹ž“sV•·q2003”N5ŒŽ17“úr@‹ž“sV•·ŽÐ
text ’§”­‚·‚é”üp‰Æ‚½‚¿‚QE’Ê•ñ‚³‚ꂽ“ú–{’†‚̃gƒCƒŒv[Šž^•ä@‹ž“sV•·q2003”N5ŒŽ10“úr‹ž“sV•·ŽÐ
text u’¿–­‚È“ú–{“IƒCƒ[ƒW‚ðƒe[ƒ}‚ÉEEEvŽR‰º—¢‰Á@SAVVY‚UŒŽ†@‹žã_Lƒ}ƒKƒWƒ“ŽÐ
catalog A.G., Schloss Plueschow


2002, Heisei 14
catalog nebelleben, Neues Kunsthaus Ahrenshoop, Germany
catalog Simple Beads and cultured seeds, Schloss Plueschow, Germany
catalog 167c-‡U FERNSUCHT, 167c Berlin, Germany


2001, Heisei 13
review ŽR–{~•v artscape (2001”N7ŒŽ)
review ŽR’†‰p”V@@‹ž“sV•·q2001”N6ŒŽ16“úr@@‹ž“sV•·ŽÐ
˜AÚ / Serialization N-mark HP‘¼uƒjƒ…[ƒfƒŠ[•Ö‚èv2001”N1ŒŽ-4ŒŽ


2000, Heisei 12
catalog ƒLƒbƒYEƒA[ƒgEƒ[ƒ‹ƒh‚ ‚¨‚à‚è2000, ÂXŒ§‹³ˆç’¡”üpŠÙ®”õEŒ|pƒp[ƒN\‘z„iŽº
catalog ƒA[ƒg‚ÅŠw‚Ú‚¤ ƒA[ƒg‚ð—V‚Ú‚¤, L“‡ŽsŒ»‘ã”üpŠÙ / HIROSHIMA,MOCA
catalog given, ƒMƒuƒ“‹L˜^Ž•ÒWˆÏˆõ‰ï
review u“W•] ”üpŠÙv@@”üpŽè’Ÿq2000”N11ŒŽr@@Ž™“‡‚â‚æ‚¢@@”üpo”ÅŽÐ
text uƒA[ƒgƒpƒ‰ƒ_ƒCƒXv@@—¬s’ÊMq2000”N11ŒŽr@@Ž™“‡‚â‚æ‚¢@@ƒCƒ“ƒtƒ@ƒX
interview uƒA[ƒeƒBƒXƒgƒCƒ“ƒ^ƒrƒ…[ Vol.18 ‰ª–{Œõ”Žv@word:Œ´‹vŽq@ƒ^ƒEƒ“ƒA[ƒgƒMƒƒƒ‰ƒŠ[q2000”N1ŒŽr
review ‘¾“cŠ_ŽÀ@@‹ž“sV•·q2000”N12ŒŽ16“úr@@‹ž“sV•·ŽÐ
interview Œ´‹vŽq@@ƒCƒ“ƒ^[ƒlƒbƒg@@ƒ^ƒEƒ“ƒA[ƒgƒMƒƒƒ‰ƒŠ[q2000”N12ŒŽ22“úr


1999, Heisei 11
interview u‰ª–{Œõ”ŽƒCƒ“ƒ^ƒ”ƒ…[v@@Fragmentsq1999”N7ŒŽ VOL.4r@FragmentsOffice
text ΋´ˆ»@@uCAFE coffee breakv“Wƒpƒ“ƒtƒŒƒbƒgq1999”N11ŒŽr@@FragmentsOffice
review ‰–“c@@¼“ú–{V•·q1999”N10ŒŽ6“úr@@¼“ú–{V•·ŽÐ
review ‘¾“cŠ_ŽÀi”üp”á•]‰Æj@@‹ž“sV•·q1999”N9ŒŽ4“úr@@‹ž“sV•·ŽÐ
review ŠâØ‚Ý‚¨@@ƒCƒ“ƒ^[ƒlƒbƒg@@ƒ^ƒEƒ“ƒA[ƒgƒMƒƒƒ‰ƒŠ[u¡T‚̂ЂƂ±‚Ævq1999”N9ŒŽ
catalog CCA Research Program 98/99, CCA–k‹ãB / CCA KITAKYUSYU


1998 , Heisei 10
catalog ˆÙ‚Ȃ鎋ŠE, ‘åã•{—§Œ»‘ã”üpƒZƒ“ƒ^[
review ŽR’†‰p”Vi‹ž“sV•·ŽÐ•¶‰»•”j@@‹ž“sV•·q1998”N6ŒŽ13“úr@@‹ž“sV•·ŽÐ
review ˆÀ•”•¶”ÍiƒA[ƒgƒR[ƒfƒBƒl[ƒ^[j@@’©“úV•·q1998”N2ŒŽ27“úr
review –k—¢Wi¼“ú–{V•·ŽÐ•¶‰»•”j@@¼“ú–{V•·q1998”N2ŒŽ27“úr
review ”ü”Z‚¿‚Ç‚èi”üp•]˜_‰Æj@@ƒCƒ“ƒ^[ƒlƒbƒg‚ÌPC-VANuŒfŽ¦”Âv


1997, Heisei 9
review ŽR’†‰p”Vi‹ž“sV•·ŽÐ•¶‰»•”j@@‹ž“sV•·q1997”N1ŒŽ18“úr@@‹ž“sV•·ŽÐ
text u2–œ‰~‚Å‚±‚ñ‚ÈŒ»‘ãƒA[ƒg‚ª”ƒ‚¦‚év@@ƒJƒsƒ^ƒ“q1997”N10ŒŽ†r@@•¶åYtHŽÐ


1996, Heisei 8
review HELEN A. HARRISON@@THE NEW YORK TIMESq1996”N9ŒŽ15“úr
review ‹g‰i”ü–çŽqiOPEN HOUSE EXHIBITION ŽåÉj@@“úŒoƒA[ƒgq1996”N8ŒŽ†r“úŒoBPŽÐ
text ‰Í–{MŽ¡i‹ž“s‘—§‹ß‘ã”üpŠÙŠwŒ|ˆõ-“–Žžj@uFUJIYAMA GEISHA seriesv“Wƒpƒ“ƒtƒŒƒbƒg
review ”öè²’qŽqiŽ ‰êŒ§—§‹ß‘ã”üpŠÙŠwŒ|ˆõ-“–Žžj@@‹ž“sV•·q1996”N3ŒŽ9“úr@@‹ž“sV•·ŽÐ
review Šì‘½‘º–¾—¢i‹ž“sŽs”üpŠÙŠwŒ|ˆõ-“–Žžj@@”üpŽè’Ÿq1996”N6ŒŽ†r@@”üpo”ÅŽÐ
review ’†’JŽŠGi‹ž“sŽspŠÙŠwŒ|ˆõj@@ƒOƒ‰ƒX&amp; ƒA[ƒgq1996 NO.14 ‰Ä†r@@‰hŒõ


1995, Heisei 7
˜AÚ / Serialization ƒTƒbƒgƒDƒouƒjƒ…[ƒˆ[ƒN•Ö‚èv1995”N4-7ŒŽ
my text ƒAƒNƒŠƒ‰[ƒg•ÊûuŒŒ‚ÌŠG‰æ‚ɂ‚¢‚Äv ƒzƒ‹ƒxƒCƒ“


1994, Heisei 6
˜AÚ / Serialization ‚µ‚µ‚­’ÊMuƒjƒ…[ƒˆ[ƒN•Ö‚èv1994”N12ŒŽ-1995”N3ŒŽ
catalog “ú–{ƒrƒWƒ…ƒAƒ‹EƒA[ƒg“W, ‘ÛŒ|p•¶‰»V‹»‰ï
catalog ‹âÀ”ª’š–ÚŽžŒv‰®‰½Žž“W, ƒŠƒNƒ‹[ƒg


1993, Heisei 5
text uŒ|p‚ÌŽ©—§v@@ŒŽŠ§ƒMƒƒƒ‰ƒŠ[Rq1993”N3ŒŽ†r@@RIo”Å
catalog URBANART#1 ƒpƒ‹ƒR
catalog Œ|pÕ“Tg‹žh•ñ‘ ‹ž“sŽs


1992, Heisei 4
catalog “ú–{ŠC”üp“W •xŽR‹ß‘ã”üpŠÙ
tetxt uì•i‚Ì‚±‚±‚ë5v@@–k—¤’†“úV•·q1992”N12ŒŽ1“úr@@–k—¤’†“úV•·ŽÐ
1991, Heisei 3
preview u¡T‚Ì‹C‚É‚È‚éƒGƒLƒWƒrƒWƒ‡ƒ“v@@‚‚Ž‚‚Žq1991”N3ŒŽ28“úr










SITE SPECIFIC WORK
‹´Že“ª_ŽÐ‹«“àÄŒ»ƒvƒƒWƒFƒNƒgNS#272 KEIDAI Reappearance
NS284 “úŽ®Î“•âÄÄŒši‹´“ª_ŽÐ‹«“àÕ’nA‘ä˜pj
Japanese stone-lantern reconstruction (Ciaotou,Taiwan)
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Kio-A-Thau Art Village
‹´Že“ª“œ±åYp‘º
‘ä˜p‚—Yãp‹´“ª‹½‹»“œ˜HŽOJŽOåj
No.3, Lane 3, Singtang Rd., Ciaotou Township, Kaohsiung County, 825, Taiwan (R.O.C.)


FG#484 Pajarita and so on
Can Serrat,Barcelona,Spain
http://www.canserrat.org/








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Artist statement

Art is a mirror that reflects the actual world, at least my artwork would be.
Nevertheless, the surface of my mirror has a subtle distortion of my own sense of aesthetic, humor, my spiritual and intercultural experience.
If there were something invisible in the world, there would be a reason. It may be that it is not impossible to see, but it should not to do. My artwork visualizes an image that could not see without it.

<English translation: KIBUKAWA Ei/ eitoeiko>